Obscurity of the Day: Guindon

I imagine I’m far from the first person to say this, but just in case I herewith present the Holtz Prime Directive of Newspaper Comics Success:

Thou Shalt Not be a Success by Being Smarter than your Audience
It pains me to say it, but it’s true. The exceptions are rare — in fact I can only come up with two — Pogo and maybe The Far Side. And I’m not sure about the latter. I suspect a lot of people liked it because Larsen drew cows funny.
Of course I don’t mean that as a cartoonist you can’t be a brilliant writer. Charles Schulz was brilliant, but he knew how to talk on his audience’s level. But if Aunt Sally in Topeka is mystified by your gags you are in deep trouble. Oh sure, you can carve out a niche. Two very smart strips currently running that immediately come to mind are Zippy the Pinhead and The Dinette Set. But how many papers run them? And how often do they come in dead last in those newspaper polls to which Aunt Sally faithfully responds?
Well, Guindon is a prime example of brilliant writing that shot so far over Aunt Sally’s head she didn’t even hear the sonic boom when it passed.  A tiny cadre of newspaper editors ran the feature, which was self-titled by Richard Guindon. It was a brilliant daily morsel of surrealist mind-candy that on its best days (of which there were plenty) would have had Salvador Dali horking Corn Flakes out his nose at the breakfast table.
Richard Guindon was on staff at the Minneapolis Tribune when he first came up with the series. He’d been there since 1968, but the Guindon cartoon in its formal guise apparently didn’t begin until sometime in 1974. At the Trib the series ran 3-4 times per week. In July 1978 the feature was picked up by the Los Angeles Times Syndicate and it became a daily cartoon. In 1981 Guindon moved from the Minneapolis paper to the Detroit Free Press, and his syndicator changed to Field Enterprises. The syndication continued until 1985, never appearing in more than a handful of papers, ending its syndication with the successor syndicate to Field, News America Syndicate. Supposedly the cartoon then ran locally in the Detroit Free Press for awhile, perhaps ending in 1987, but I’ve not yet been able to verify that. For awhile in 1983 Guindon also did a panel titled Carp, but it may just be a part of the overall Guindon series. His wiki bio claims that there was also a Carp comic strip late in the 80s — I haven’t seen any examples of that.
If all this history of the feature seems pretty vague, it doesn’t help that Guindon himself is notoriously reticent about giving a straight answer about his history. I have every one of the Guindon reprint books, in most of which he offers a bio of some sort, and yet he’s hard to pin down about specifics. Of course, for pure pleasure all his books are highly recommended, even if you can’t get a straight answer out of the guy. Go find the following Right Now:
Cartoons by Guindon (Quick Fox, 1980)
Guindon (Minneapolis Tribune, 1978)
Michigan So Far (Detroit Free Press, 1991)
Together Again (Andrews-McMeel, 1986)
The World According to Carp (Andrews-McMeel, 1983)
EDIT: Since this post ran I have seen the Guindon panel still running (now as a weekly) in 1992 in the Detroit Free Press.

2 thoughts on “Obscurity of the Day: Guindon

  1. My parents both came out of Minnesota, and they and the folks back home seemed to regard Guindon as almost a private Minnesotan joke. Never felt mystified as I sometimes was by Larson — maybe it wasn’t so much an intellectual thing as a Minnesota mindset (ice fishing, giant mosquitos, serious little boys who want a filing cabinet for Christmas…). Felt slightly betrayed when he went to Detroit.

    One detail that did puzzle me: I could understand the guys with one bicycle clip on their pants, but not the teddy bear dangling from the belt like some sort of emergency device.

  2. I remember the first time I ever saw a Guindon one-panel comic and thought, “Ok, here’s something new.”

    I believe he was the first of the single-panel absurdist artists to to show up in a newspaper instead of a magazine. *Then* came ‘The Far Side’ and the rest.

Leave a Reply

Your email address will not be published. Required fields are marked *

7 × = fifty six