As promised yesterday, here’s a very interesting obscurity. So interesting that Cole Johnson and I both had the idea to scan some in at the same time. As I was putting a couple into the queue Cole sent me a third, plus a photo of the ‘writer’ and subject of the strip. Since Cole is the film historian, let’s hear what he has to say about The Original Boop-Boop-a-Doop Girl:
The singer Helen Kane was a briefly popular entertainment oddity in the late 20’s. She made a few Paramount film appearances at the time, and the animators at Max Fleischer’s cartoon studio adapted her persona into the Betty Boop character. Since Fleischer’s films were also released by Paramount, it may have seemed initially as good, solid cross-promotion. Unfortunately, Kane’s career ran out of steam very soon, her last film being a 1931 short subject. However, “Betty Boop” took off, quickly eclipsing her inspiration’s career. Helen Kane felt reparations were in order for purloining her mojo, and sued the Fleischer studios in April, 1934. Somehow the judge in the case couldn’t see how anybody could see Helen in Betty, (Maybe the only one in all christendom), and Fleischer and Paramount won the case. They even thought it a suitable publicity event for a jokey segment in the Paramount newsreel!
The Betty Boop comic strip started in July, 1934, for Hearst’s King Features Syndicate. Behold this item, “The Original Boop-Boop-a-Doop Girl by Helen Kane”, by Ving Fuller, from the August 12, 1934 issue of Hearst’s N.Y. Mirror. (The only one I have-can you supply the dates on this?) Why was this out-and-out rip-off of the Betty Boop strip that Hearst also ran? Did this run in any other papers? This is a classic example of a pre-fab promo strip. Really too little too late for the sadly stalled Helen Kane. (Hmmm-Just this one example seems more fun than the dismal stiff that Counihan and Seeger put out.)
The New York Mirror (and only the Mirror) ran this strip from August 5 to October 21 1934. According to one historian, this strip was running while Hearst waited to get the rights to the real Betty Boop. Well, obviously t’ain’t so because Hearst started running the daily version of the Betty Boop strip a month before the debut of this competing version. In fact both strips ran in Hearst’s New York papers — the ‘real’ one in the Journal, the fake one in the Mirror. Really kind of fitting that the sleazy tabloid got the knock-off, don’t you think?
The strips shown above are the first, second and last episodes of the strip. As you can see the early ones were drawn by the always goofy and delightful Ving Fuller, but later on they got the janitors and office boys to produce the thing.